Mythic Rebirth at Gustav Klimt’s Stoclet Frieze: New Considerations of Its Egyptianizing Content and Form The Art Bulletin Released By: CAA org/3045853 jstor. Org/stable/3045853 This report investigates new sources for Klimt’s use of Egyptian motifs from the Stoclet Frieze: the aesthetic notions and preferences of Father Desiderius Lenz of this Beuron School, an exhibition of Beuron artwork in Vienna, Theodor Graf’s assortment of Fayyum portraits, along with modern dance at the literary capital. An interpretation of the Frieze is here offered dependent on Plutarch’s account of this legend of Isis and Osiris. This tale of discord, death, and rebirth was relevant for Klimt personally and for the Klimt Group following their fracture by the Vienna Secession in 1905. The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced at the academy, museums, and several other institutions. By its founding in 1913 the diary has published, through rigorous peer evaluation, scholarly articles and critical reviews of the maximum quality in all areas and periods of the history of art. Articles require a variety of different approaches, in the historic to the theoretical. In its mission as a journal of record, The Art Bulletin promotes an intensive involvement with intellectual progress and debates in modern art-historical practice. The journal, that welcomes submissions from scholars Greek Artist Enrich His Mystical Female Portraits With Gold Details globally and at each career stage, is published four times annually in,,, and from the College Art Association. Founded in 1911, the College Art Association… Promotes excellence in scholarship and instruction in the history and criticism of the visual arts and in creativity and technical skill in the training and practices of art. Facilitates the exchange of ideas and information among people interested in history and art of art. Advocates comprehensive and inclusive education in the visual arts. Speaks to your membership on topics affecting the visual arts and humanities. Provides opportunities for publication of criticism, scholarship, and artists’ writings. Fosters career advancement and professional advancement. Identifies and develops sources of funding to the practice of art and also to get student in the arts and humanities. Honors accomplishments of artists, art historians, and critics. Articulates and supports the highest ethical standards in the conduct of this profession. Authorization to photocopy texts for internal or personal use (beyond that permitted by sections 107 and 108 of the U. S. Copyright Law), or to get one-time, limited-term nonprofit academic use in coursepacks or closed-access academic course Intranet sites, is given by the College Art Association free of charge. For other applications, please first contact the person author and/or other rights holders to obtain written consent, and then the College Art Association.